Whoever has been commissioning remixes for Lana Del Rey deserves accolades. They always take risks and reach out to less obvious acts. The results don’t always pay off but when they do, they do! The latest coup is to get the holy Four Tet to remix her brand new single “West Coast”. Something about the drums on this one reminds me of Björk’s “Human Behaviour”. Très cool.
STREAM: Lana Del Rey – West Coast (Four Tet Remix)
Ten Ven has their eyes on the disco ball, William Carl Jr uses new vocals not in the original mix, and Camo & Krooked dreams up a more leftfield spectral soundscape. Definitely an interesting batch of remixes so far (you just know there will be more).
STREAM: Lana Del Rey – West Coast (Ten Ven Remix)
STREAM: Lana Del Rey – West Coast (William Carl Jr Remix)
STREAM: Lana Del Rey – West Coast (Camo & Krooked Remix)
The Pierces have put their sisterly harmonizing powers to good use with a folked-up version of Lorde‘s commoner anthem “Team”. Absent are the glitches and pitch-shifted vocal samples, as the duo winds the song back four decades, when Fleetwood Mac reigned supreme. It’s a pretty acoustic cover that replaces teen angst with knowing wisdom. Check it out below.
STREAM: The Pierces – Team (Lorde Cover)
The hype surround Cloud Nothings‘ second album “Here and Nowhere Else” was so big I had to check it out myself. While the album as a whole wasn’t entirely to my taste, I can’t deny this irresistible punk-pop gem “I’m Not Part of Me”. Let’s not beat around the bush, this belongs in a ’90s teen flick soundtrack. Proper jump on your bed, sing into your hairbrush, dance like nobody’s watching stuff. The music video even features teenage girls having a weird slumber party. They’re in on it.
It helps that the frontman Dylan Baldi openly talks about his appreciation for Taylor Swift’s songcraft. Check out the Ohio-based indie rock’s single below, and good luck getting it out of your head.
From the Soundcloud vaults of Arbutus Records (Grimes’ label) comes this lovely little gem, a lo-fi acapella cover of The Beatles classic “And I Love Her” by Eola aka Brooklyn-based musician Edwin Mathis White. Surfaced in October 2012, it’s just a simple take drenched in reverb and tape loops, but it’s the naked simplicity that emits a sort of moonshine hypnotism. He even made the effort to riff on the “Meet The Beatles!” cover!
STREAM: Eola – And I Love Her (Beatles Cover)
After a week of relentless teasing, this morning Lana Del Rey finally premiered “West Coast”, the lead single off her highly-anticipated sophomore album “Ultraviolence”. The multi-layered, slow-burning midtempo ballad is something of a departure for her. It’s not like she has gone trap or anything, but it’s still a fairly new territory for her, sound-wise. To be honest, I was hoping for something on the poppier side (à la “National Anthem”), still, as I let it marinate a bit more, here are a few keynotes:
- It’s produced by The Black Keys‘ Dan Auerbach. So credible.
- A video has been shot with director Vincent Haycock (Calvin Harris, Florence + The Machine). Expect it to be a serious narrative affair
- I wonder if they deliberately sampled The Beatles’ “And I Love Her” opening bar? Listen to 1:04 and compare.
- Hello, “Pure Shores” synth pads!
- Basically it’s something you can swing from side to side to in the pale moonlight.
- Perpetua tweeted that it sounds like “she merged Portishead and Mazzy Star”, which I can actually hear.
Have a listen below:
STREAM: Lana Del Rey – West Coast
What do you make of the ‘queen of Saigon”s new direction?
Nina Persson‘s debut solo album “Animal Heart” has been a Pop Labyrinth favorite since its release in February. Now that the sun is out, it feels like the right time to revisit the soaring title track. “Animal Heart” sees The Cardigans/A Camp frontwoman at her ’80s synth-pop new wave mode, and rest assured, it’s a fantastic song injected with wildlife metaphors, heartfelt melodies, and of course, her unmistakable voice. The one-shot music video filmed at her Harlem neighborhood features back-up dancers, confetti, and costume changes, all in one quick walk to grab some milk! It looks like great fun without appearing too rehearsed. And her belting at the last chorus – she’s still got me after all these years.
WATCH: Nina Persson – Animal Heart
Nina Persson is playing a show at Baby’s All Right in Brooklyn this Wednesday, 4/16, for which you can buy tickets here.
The Pierce sisters have returned with not one, but two brand new songs! I was a big fan of the singles from their last album “You & I”, so new Pierces music now requires mandatory coverage. “Kings” is the catchy stomper with sweet harmonies, sweeter hooks and a Carole King reference, while lead single “Believe In Me” is the MOR midtempo ballad for Radio 2 listeners to slow dance to. Both tracks are a taster of their upcoming fifth album “Creation”, out June 2 in the UK. If the album maintains this level of quality, then it’s safe to say it should be quite a pleasant listen.
W▲TCH: The Pierces – Kings
One thing I’m not so sure about is the visual aesthetics this era. On one hand it’s nice that they’re leaving behind the ’70s boho look which has become a bit lazy, on the other hand, judging by the ironically ‘lo-fi’ videos, it now looks like they’ve been spending time at dated mall photo booths.
W▲TCH: The Pierces – Believe In Me
Brooklyn-based trio Little Daylight is next on the list of synth-pop hopefuls, right beside my other faves like St. Lucia, CHVRCHES, Haerts, Ellie Goulding, and deservingly so. Initially cutting their teeth by doing remixes for the likes of Passion Pit, Niki & The Dove, Ra Ra Riot and The Neighbourhood, they moved on to producing originals and uploading them on Soundcloud. The band makes glossy, twinkly electronic pop with sticky hooks and toe-tapping beats, the type that would set blogs alight (and indeed they have in droves). Their current EP entitled “Tunnel Vision” is a great collection of danceable, infectious songs that fully showcase their potentials. “Restart”, “Glitter And Gold”, “Name In Lights” are among my favorites, but “Overdose” is the big one. Seriously, that one’s been in my head for days.
STREAM: Little Daylight – Overdose
I had the pleasure of seeing them live opening for Bastille last week and it was great fun. Lead singer Nikki put on a confident, flirty and playful performance, flicking through songs from their EP, as well as test-driving new tracks. One called “Mona Lisa” particularly stood out, I can’t wait to hear it again in studio form. Saving the best for last, they ended the impressive set with “Overdose” whose bassline really came alive. They have many shows coming up for CMJ so if you can make it, I highly recommend seeing them live.
STREAM: Little Daylight – Restart
Chances are not many are overly familiar with the name Amel Larrieux. The former Groove Theory member/neo-soul musician has always kept a relatively low-key profile as opposed to her then contemporaries like Erykah Badu, Lauryn Hill, or her successors like India Arie, Janelle Monae. However, she’ll forever be cool in my book on the strength of her underrated ’90s R&B gem “Get Up” along with its amazing Floria-Sigismondi-directed video.
Over the last decade, she still quietly released new music under her own label Blisslife Records, and “Afraid” is her first new single in 4 years. Not surprisingly, she hits all the sweet spots with this breezy, bright summer groove.
“Afraid” is a track that glides, gradually, gracefully building up to a cocoon of harmonies that descend like a flock of seagulls down by the seaside. It’s such a breath of fresh air to adult contemporary R&B/soul, and I’m glad to have her back on top form.
It’s been two months since I last made a Lana Del Rey post, for that I apologize. It’s hard to keep up with her millions of leaked demos. Yesterday, another one surfaced online, and it’s such a gem it warrants its own post. “TV In Black & White” feels like (and probably was) a work in progress; the chorus is not as strong as the verses. But against Lana’s (very high) standards, this might actually be among her best leaks. She certainly knows her way around a tune. For a song about consoling your ex who’s spending the night in jail, it comes across as a lovey dovey song. Her crooning voice evokes all kinds of feelings: wistful, nostalgic, dreamy. I keep coming back to it like a recurring dream of a summer midnight drive. Lovely, just plain lovely.
STREAM: Lana Del Rey – TV In Black & White