At the moment I’m properly obsessed with the ’90s house revival, and so is Britain apparently. Kiesza‘s debut single ‘Hideaway’ happens to capitalize on this trend, but still feels fresh and 100% ready for Radio 1’s A list.
High on joy and energy, ‘Hideaway’ is an uplifting, big-lunged dance-athon with positive vibez for days. Gorgon City are already on board for a remix so this has the potential to blow up very soon.
The accompanying video is a DIY one-take affair with appropriately anachronistic attire and choreography. It looks like something Lady Gaga circa ‘Stefani Germanotta’ could have done for kicks had she remembered to have fun.
Kiesza is Canadian, but spent some time in New York and now resides in London. Ladies and gents, say hi to your new fave globe-trotting pop star!
‘Hideaway’ is out March 23.
More on Kiesza.
Brooklyn-based trio Little Daylight is next on the list of synth-pop hopefuls, right beside my other faves like St. Lucia, CHVRCHES, Haerts, Ellie Goulding, and deservingly so. Initially cutting their teeth by doing remixes for the likes of Passion Pit, Niki & The Dove, Ra Ra Riot and The Neighbourhood, they moved on to producing originals and uploading them on Soundcloud. The band makes glossy, twinkly electronic pop with sticky hooks and toe-tapping beats, the type that would set blogs alight (and indeed they have in droves). Their current EP entitled “Tunnel Vision” is a great collection of danceable, infectious songs that fully showcase their potentials. “Restart”, “Glitter And Gold”, “Name In Lights” are among my favorites, but “Overdose” is the big one. Seriously, that one’s been in my head for days.
STREAM: Little Daylight – Overdose
I had the pleasure of seeing them live opening for Bastille last week and it was great fun. Lead singer Nikki put on a confident, flirty and playful performance, flicking through songs from their EP, as well as test-driving new tracks. One called “Mona Lisa” particularly stood out, I can’t wait to hear it again in studio form. Saving the best for last, they ended the impressive set with “Overdose” whose bassline really came alive. They have many shows coming up for CMJ so if you can make it, I highly recommend seeing them live.
STREAM: Little Daylight – Restart
Lately the music scene has witnessed the inevitable antithesis to EDM. A small wave of new acts makes music that is more likely to gently stroke a listener’s chin, rather than shout at one’s face threatening to ‘drop’. London Grammar are UK’s brightest new hope. Already scoring a #2 album across the pond, the band is making their way to America. A mix between The XX, Florence & The Machine and Sia, London Grammar’s sound is really as stately and deceptively modest as the name suggests. At times they also remind me of Trespassers William too.
I first got hooked on early single “Metal & Dust”, a gorgeous trip-hop throwback that knows when to hold and release. Follow-up single “Wasting My Young Years” is one of those ballads that might send a lump down your throat in an appropriate mood. It might actually rival the grandeur of Sia’s “Breathe Me”, and I don’t say that lightly. However, “Strong” is the one with mass appeal, landing them their first Top 20 single in Britain. The old-school drum-and-bass High Contrast remix confirms that they sound just as good over block rockin’ beats.
As nice as the electronic embellishment around their production is, it’s Hannah Reid’s powerhouse vocals that took center in every song. Her guest vocals on Disclosure’s “Help Me Lose My Mind” is a thing of sunset-in-Ibiza beauty. For such a new band, they’re really building up a solid discography.
STREAM: London Grammar – Metal & Dust
Check out their US tour dates after the jump.
Postiljonen is the next big Swedish export, and they have delivered a stunning debut album in “Skyer”. I can only describe the Stockholm-based trio’s music as panoramic, multi-textured road-trip synth-pop. The ’80s synth and sax riffs are larger than life, while wispy, murmuring vocals are mixed like an afterdream, hazy and unobtrusive, interspersed with dialogue samples from unidentified, possibly non-existent films. As is the case with shoegazing dream-pop, due of its unique construct, you probably won’t remember much of the lyrics or melodies, but there’s enough ear candy to keep coming back and peel at the layers. The 10-track album is short and sweet, with the more upbeat numbers (Supreme, We Raise Our Hearts, Skying High) sequenced in between ambient, filmic ones (Rivers, Plastic Panorama). There is also an unlikely, spectral cover take on Whitney Houston’s “How Will I Know”, gloomily retitled as “All That We Had Is Lost”. “Atlantis” – the current single – makes a perfect album closer, thanks to its monster saxophone action and a nocturnal, melancholic back-of-a-taxi-cab mood. If you like M83, or The Naked And Famous, then Postiljonen’s widescreen after-hours pop is for you.
Check out the music video for Atlantis below, and album highlight “We Raise Our Hearts”.
STREAM: Postiljonen – We Raise Our Hearts
Cloaked in mystery, Solomon Grey is the latest signing to Black Butter Records. There’s next to nothing about him/them online, but that he’s on the hottest UK dance label right now is a coup in itself. The gorgeous artwork depicting nighttime cityscape just piqued my curiosity even more. So I clicked play.
And I hit repeat, again and again.
“Gen V” is an exquisite piece of widescreen downtempo electronica. With cascading synths and soulful vocals, the beautifully produced track operates within a nocturnal solitary world. “Inside it’s raining… always”, the male protagonist sings in melancholy. The song is a cross between Rhye, Air, and the Drive soundtrack. It’s a total stunner.
STREAM: Solomon Grey – Gen V (Edit)
Here are SIX facts you need to know about our latest Popforward act Rebeka.
1. Rebeka are Iwona Skwarek and Bartosz Szczęsny. Those happen to be Polish names. You can see why they settled for Rebeka instead.
2. Their current single is “Melancholia”. You can’t go wrong with a song called “Melancholia”.
3. If you quite like Goldfrapp, Ladytron, The Knife and other bands from Europe that make modern/spooksome synth-pop, you will like this.
4. The music video features some very nice plants.
5. You can grab a FREE mp3 of the track right here!
Actually, you can download a free Moullinex remix too.
6. Their debut album “Hallada” is available to buy in all the usual places. If you’re more of a streaming type, find it on Spotify.
Empress Of is the moniker of Lorely Rodriguez, Brooklyn-based songstress signed to Terrible Records, label home of Solange and Chairlift. Considering the label’s pedigree, it should come as no surprise that her new track “Hat Trick” is a total dream-pop choon. It’s subdued, ethereal ’80s synth-pop at its smoothest, with slick production and silky sweet vocals. In a nutshell, it sounds like St. Vincent produced by Dev Hynes (Blood Orange). The only flaw I can find is that it’s too damn short! With this, Empress Of has unofficially joined the like-minded crystal-ball pop league of Twin Sister, Class Actress and Glasser. Now excuse me while I go hit repeat one more time.
STREAM: Empress Of – Hat Trick
Proper POP Alert! Aussie newcomer Betty Who is the latest potential pop gal on our radar. Her single “Somebody Loves You” has been on mad repeat, and we only just discovered it yesterday! Inspired by Whitney Houston’s “I Wanna Dance With Somebody”, the track was written after a failed long distance relationship as told by her, but you wouldn’t know giving its infectiously joyous nature. The straight-up ’80s jam is pure unadulterated pop: bouncy, sprightly, and unabashedly catchy. Betty also exudes charm and charisma in spades in the music video (embedded below). She’s currently unsigned, but not for long I bet. If you like Alphabeat, or old-school Madonna/Whitney/Janet, this should be right up your street. Seriously, if this song doesn’t have you grinning like an idiot by the end, then you sir need to cheer up a bit.
That was great fun wasn’t it? Did I mention it’s out now as a free download too?
Download remix stems of “Somebody Loves You” if you fancy having a go at it, or grab another free track “Fire With Fire” at her Soundcloud.
Shout-out to the always excellent Singles Jukebox for turning me on to this.
I love me some ’60s-loving duo side projects. I can name a handful off the top of my head: The Last Shadow Puppets, Cat’s Eyes, Scarlett Johansson & Pete Yorn, Matthew Sweet & Susanna Hoffs, James Levy & The Blood Red Rose. Now Adam Green (The Moldy Peaches) and Binki Shapiro (Little Joy), are the latest to channel the Nancy/Lee dynamic with a self-tiled LP out January 29. The opening track “Here I Am” is a playful and sweet love song, with the tried-and-true deep-voiced-male/honey-voiced-female combination that guarantees an immediate spot on your local Starbucks playlist. Expect more loveliness like this when the album drops. Enjoy it while you can, since these kinds of projects hardly last beyond one album.
STREAM: Adam Green & Binki Shapiro – Collage (James Gang Cover)
You might have known Rachel Zeffira as one half of Cat’s Eyes, the unjustly underrated ’60s-pop side project of Faris Badwan of The Horrors fame. Now the classically-trained Canadian multi-instrumentalist/singer is ready to venture on her own solo debut “The Deserters”, out this March in North America on Paper Bag Records. First single “Here On In” is ethereal dream-pop lushly crafted, with a certain Gallic cool that recalls Air or Charlotte Gainsbourg. Her airy, bewitching vocals float weightlessly above a bed of strings, synths and spectral harmonies. It’s beautifully arranged nocturnal music for fans of shoegaze and retro-minded indie pop. Therefore, it makes total sense that she chose to cover My Bloody Valentine’s “To Here Knows When” for the flip side. Check out both tracks below, and keep a close watch for more to come. The owls are not what they seem.
STREAM: Rachel Zeffira – Here On In
STREAM: Rachel Zeffira – To Here Knows When (My Bloody Valentine Cover)