Does the name Plastiscines ring a bell to you?
Let me jog your memory: back in 2009, the all-girl French rock band became the first to sign to NYLON magazine’s record label, released their second album “About Love”, and even nabbed a guest spot on Gossip Girl. Since then, the group downsized to a trio, added synths to their sound and continued to release new music. Their most recent release is a covers EP sponsored by Paco Rabanne perfume Black XS. It’s an eclectic collection of slick and stylish reinterpretations of Lana Del Rey’s “Blue Jeans”, Air’s “Sexy Boy”, Sophie Ellis-Bextor’s “Murder On The Dancefloor”, Caroline Loeb’s ’80s hit “C’est la ouate”, and an acoustic version of Wham!’s “Wake Me Up Before You Go-Go”. If you like your bands to consist of guitar-rocking ladies (The Like, The Donnas, HAIM etc.), you should dig into this pronto. You can’t go wrong with some fun rock n’ roll with a French accent.
Listen to their new-wave take of Lana Del Rey’s “Blue Jeans” below. Cowbells included!
STREAM: Plastiscines – Blue Jeans (Lana Del Rey Cover)
I also quite enjoy their 2013 French single – the groovy “Comment faire”, whose video is a fun retro homage to American ’70s cop shows à la Charlie’s Angels.
WATCH: Plastiscines – Comment Faire
The Pierce sisters have returned with not one, but two brand new songs! I was a big fan of the singles from their last album “You & I”, so new Pierces music now requires mandatory coverage. “Kings” is the catchy stomper with sweet harmonies, sweeter hooks and a Carole King reference, while lead single “Believe In Me” is the MOR midtempo ballad for Radio 2 listeners to slow dance to. Both tracks are a taster of their upcoming fifth album “Creation”, out June 2 in the UK. If the album maintains this level of quality, then it’s safe to say it should be quite a pleasant listen.
W▲TCH: The Pierces – Kings
One thing I’m not so sure about is the visual aesthetics this era. On one hand it’s nice that they’re leaving behind the ’70s boho look which has become a bit lazy, on the other hand, judging by the ironically ‘lo-fi’ videos, it now looks like they’ve been spending time at dated mall photo booths.
W▲TCH: The Pierces – Believe In Me
Stine Bramsen of Alphabeat has officially kickstarted a solo career with her debut single “Prototypical”. Released worldwide last January, the toe-tapping track sees her leaning towards a more mature singer-songwriter direction, but worry not, the hooks are still very much present. A music video will be coming soon, until then you can stream the track right below.
I also made a late discovery of her collaboration with alt-rock band/labelmate Carpark North on their single “32” last year. I don’t know much about the fellow Danish rockers beside their striking Martin De Thurah-directed videos in 2005 for “Human” and “Best Day”, both of which were admittedly quite good Depeche Modesque tunes. It’s good to know the band still releases music in that same vein. In fact, I find myself liking “32” much more than I expected, thanks to Stine’s star-turn vocals. Then again, the Danes have always excelled at cold water music, like this subtly anthemic synth-rock jam (see also: Mew). Watch the moody video featuring a girl with superpowers.
W▲TCH: Carpark North – 32 feat. Stine Bramsen
At the moment I’m properly obsessed with the ’90s house revival, and so is Britain apparently. Kiesza‘s debut single ‘Hideaway’ happens to capitalize on this trend, but still feels fresh and 100% ready for Radio 1’s A list.
High on joy and energy, ‘Hideaway’ is an uplifting, big-lunged dance-athon with positive vibez for days. Gorgon City are already on board for a remix so this has the potential to blow up very soon.
The accompanying video is a DIY one-take affair with appropriately anachronistic attire and choreography. It looks like something Lady Gaga circa ‘Stefani Germanotta’ could have done for kicks had she remembered to have fun.
Kiesza is Canadian, but spent some time in New York and now resides in London. Ladies and gents, say hi to your new fave globe-trotting pop star!
‘Hideaway’ is out March 23.
More on Kiesza.
Brooklyn-based trio Little Daylight is next on the list of synth-pop hopefuls, right beside my other faves like St. Lucia, CHVRCHES, Haerts, Ellie Goulding, and deservingly so. Initially cutting their teeth by doing remixes for the likes of Passion Pit, Niki & The Dove, Ra Ra Riot and The Neighbourhood, they moved on to producing originals and uploading them on Soundcloud. The band makes glossy, twinkly electronic pop with sticky hooks and toe-tapping beats, the type that would set blogs alight (and indeed they have in droves). Their current EP entitled “Tunnel Vision” is a great collection of danceable, infectious songs that fully showcase their potentials. “Restart”, “Glitter And Gold”, “Name In Lights” are among my favorites, but “Overdose” is the big one. Seriously, that one’s been in my head for days.
STREAM: Little Daylight – Overdose
I had the pleasure of seeing them live opening for Bastille last week and it was great fun. Lead singer Nikki put on a confident, flirty and playful performance, flicking through songs from their EP, as well as test-driving new tracks. One called “Mona Lisa” particularly stood out, I can’t wait to hear it again in studio form. Saving the best for last, they ended the impressive set with “Overdose” whose bassline really came alive. They have many shows coming up for CMJ so if you can make it, I highly recommend seeing them live.
STREAM: Little Daylight – Restart
Lately the music scene has witnessed the inevitable antithesis to EDM. A small wave of new acts makes music that is more likely to gently stroke a listener’s chin, rather than shout at one’s face threatening to ‘drop’. London Grammar are UK’s brightest new hope. Already scoring a #2 album across the pond, the band is making their way to America. A mix between The XX, Florence & The Machine and Sia, London Grammar’s sound is really as stately and deceptively modest as the name suggests. At times they also remind me of Trespassers William too.
I first got hooked on early single “Metal & Dust”, a gorgeous trip-hop throwback that knows when to hold and release. Follow-up single “Wasting My Young Years” is one of those ballads that might send a lump down your throat in an appropriate mood. It might actually rival the grandeur of Sia’s “Breathe Me”, and I don’t say that lightly. However, “Strong” is the one with mass appeal, landing them their first Top 20 single in Britain. The old-school drum-and-bass High Contrast remix confirms that they sound just as good over block rockin’ beats.
As nice as the electronic embellishment around their production is, it’s Hannah Reid’s powerhouse vocals that took center in every song. Her guest vocals on Disclosure’s “Help Me Lose My Mind” is a thing of sunset-in-Ibiza beauty. For such a new band, they’re really building up a solid discography.
STREAM: London Grammar – Metal & Dust
Check out their US tour dates after the jump.
Say hi to your new favorite emerging electro-pop starlet! Aussie Chela is attracting blog buzz left and right with her debut single “Romanticise” for reliably hip French label Kitsune Maison. “Romanticise” (English spelling and all) is a rollicking, electric ’80s pop number, in the tradition of CSS meets La Roux. Yes it’s a bit 2008, but who cares when it’s so damn catchy. Watch her throw some dance moves in the lo-fi video below.
Dancey guitary synth-pop is not her only mode though. She also showcased her softer side on midtempo nighttime ballad “Vegas Nights”. It’s chill and wistful in an ’80s adult-contemporary/quiet storm way, not unlike the output of Say Lou Lou. If you closed your eyes, you could almost see palm trees gently swaying by your windscreen. It really is quite lovely, not to mention it’s a freebie too!
FREE DOWNLOAD: Chela – Vegas Nights
Moving away from the lush, dreamy soundscapes of her second album, Oh Land returns with something a little more adventurous. For her third full-length entitled “Wish Bone”, the Danish songstress works with producer Dave Sitek (TV On The Radio). Her relocation to Brooklyn really shows in the new batch of songs. Lead single “Renaissance Girls” is a fun celebration of female empowerment in the form of an infectious synth-pop tune. The girl-power sentiment is cool in a post-Lilith-Fair way, and the immaculately choreographed music video is AMAZING. She really put her ballet dancer skills to good use!
There’s also a lovely new video for the quirky “Pyromaniac”. She’s really nailing it down on the visual side this era. Her hair alone is divine, I can’t tell what exact shade it is (light blue greyish blond?), but she rocks it.
You can now stream the entire album on New York Times. FYI, the track co-written with former tourmate Sia is “Green Card”.
Goldfrapp never cease to surprise. After their brief flirtation with ’80s synth-pop on Head First, Alison & Will revert to nature for their forthcoming sixth album Tales of Us. If you’re a fan of Seventh Tree and Felt Mountain, you’re bound to be pleased, the sound template this time is much inspired by organic textures, James Bond soundtrack, and ’70s Italian film scores, with a touch of grandiosity. Alison’s voice remains otherwordly and crystalline on the haunting “Drew”, which could well be the sequel to “A&E”. Those cinematic strings at the middle eight… they’re quite something.
STREAM: Goldfrapp – Drew
Every track on the album is named after a person, like a postcard to a ghost of past memories. The second short film for “Annabel” premiered yesterday, and it’s just as gorgeous. It’s clear they’re treating this project as a singular body of work.
Goldfrapp are performing a one-off show at Beacon Theater on 9/10 to celebrate the album release next week. Tickets are still available. See you there?
Frida Sundemo reunites with fellow Swedish DJ Rasmus Faber on the his new single “Indian Summer”. The two has previously worked together for an EP back in 2011, and the chemistry continues on this uplifting EDM number, with Frida’s vocals cleverly chopped, screwed, and entwined in the ‘drop’. American radio might be playing that generic remix of Lana Del Rey’s “Summertime Sadness, but I’d rather hear this blast loud in a car. This needs to blow up!
The single is out in the UK on September 16.