My favorite Norwegian Erlend Øye has returned with his first solo outing in 12 years. It’s a single called “La Prima Estate”, it’s in Italian, and it’s amazing in the most unexpected ways. Let me count the ways of its amazingness:
- THAT ARTWORK. Loud is the new quiet!
- How amazingly random it is. Apparently, the one half of Kings of Convenience is now living in Italy, and the song is his homage to ’70s Italo easy-listening folk-pop, popular in Norway at the time. He did his research, and it showed. It’s a totally unexpected re-introduction, but for a man whose past repertoire ranges from acoustic folk to Berlin indie techno, I shouldn’t be so surprised.
- Even though I don’t understand a word, it still sounds like the giddiest piece of jet-set-ready summer music. Jens Lekman would be proud.
- THE VIDEO, shot on location in Siracusa Sicily. Who are all these twee geeks dancing like fools, bursting with unadulterated joy? Prepare to grin like an idiot.
As a bonus, here’s a video of Erlend Øye casually performing a cover of Pet Shop Boys‘ 1996 single “Se a vida é (That’s the Way Life Is)” on an abandoned rooftop. So chill.
We might not’ve been exactly vocal about this in the past (apols) but we love Summer Camp, aka UK power duo of Elizabeth Sankey and Jeremy Warmsley. They wrote some very listenable pop tunes.
Now that they’re back for another round with album no. 2, the band has stepped their game up. Current single “Fresh” is what you get when you put the following ingredients in a blender and press “Mix”: Disney string samples, Beach Boys ghost harmonies, funky disco bassline, ’90s Britpop, Tumblr irony, and of course, ’80s John Hughes teen angst. A delicious smoothie, you’d agree.
The charming and colorful music video directed by Lucy Needs is one of those performance videos where the artist has to learn to lip sync to their song backwards. Watch as Elizabeth reiterate Jarvis Cocker’s question “Do you remember the first time?” (can you spot the other Pulp reference?).
Postiljonen is the next big Swedish export, and they have delivered a stunning debut album in “Skyer”. I can only describe the Stockholm-based trio’s music as panoramic, multi-textured road-trip synth-pop. The ’80s synth and sax riffs are larger than life, while wispy, murmuring vocals are mixed like an afterdream, hazy and unobtrusive, interspersed with dialogue samples from unidentified, possibly non-existent films. As is the case with shoegazing dream-pop, due of its unique construct, you probably won’t remember much of the lyrics or melodies, but there’s enough ear candy to keep coming back and peel at the layers. The 10-track album is short and sweet, with the more upbeat numbers (Supreme, We Raise Our Hearts, Skying High) sequenced in between ambient, filmic ones (Rivers, Plastic Panorama). There is also an unlikely, spectral cover take on Whitney Houston’s “How Will I Know”, gloomily retitled as “All That We Had Is Lost”. “Atlantis” – the current single – makes a perfect album closer, thanks to its monster saxophone action and a nocturnal, melancholic back-of-a-taxi-cab mood. If you like M83, or The Naked And Famous, then Postiljonen’s widescreen after-hours pop is for you.
Check out the music video for Atlantis below, and album highlight “We Raise Our Hearts”.
STREAM: Postiljonen – We Raise Our Hearts
Cloaked in mystery, Solomon Grey is the latest signing to Black Butter Records. There’s next to nothing about him/them online, but that he’s on the hottest UK dance label right now is a coup in itself. The gorgeous artwork depicting nighttime cityscape just piqued my curiosity even more. So I clicked play.
And I hit repeat, again and again.
“Gen V” is an exquisite piece of widescreen downtempo electronica. With cascading synths and soulful vocals, the beautifully produced track operates within a nocturnal solitary world. “Inside it’s raining… always”, the male protagonist sings in melancholy. The song is a cross between Rhye, Air, and the Drive soundtrack. It’s a total stunner.
STREAM: Solomon Grey – Gen V (Edit)
Here are SIX facts you need to know about our latest Popforward act Rebeka.
1. Rebeka are Iwona Skwarek and Bartosz Szczęsny. Those happen to be Polish names. You can see why they settled for Rebeka instead.
2. Their current single is “Melancholia”. You can’t go wrong with a song called “Melancholia”.
3. If you quite like Goldfrapp, Ladytron, The Knife and other bands from Europe that make modern/spooksome synth-pop, you will like this.
4. The music video features some very nice plants.
5. You can grab a FREE mp3 of the track right here!
Actually, you can download a free Moullinex remix too.
6. Their debut album “Hallada” is available to buy in all the usual places. If you’re more of a streaming type, find it on Spotify.
Not complacent about “Motorway” being one of her finest tracks to date, British disco siren/DJ Little Boots has expanded the atmospheric Nocturnes opening track to a swirling 7-minute epic joy ride. Billed as the “Little Boots Discotheque Edit”, the eargasmic extended version should please any fan of disco beats, bongo drums and vintage synths. To sweeten the deal, Victoria is kind enough to offer it up as a free mp3 download, so you can sync it to your iPod, add it to your getaway playlist, blast it in your car and driiiive away.
Seriously loving this.
And just in case you haven’t heard the original, it’s still available as a free download too!
White Lies are back with a brand new beat! Nah jk they’re still the same old demure chaps. In fact, the frontman’s sporting a new beard so they’re probably even more serious about their craft this time around etc.
Jokes aside, as far as stadium rock bands go, they’ve had a pretty strong listenable single run, and now that Muse are inching further towards self-parody territory, we need new bleak-but-catchy British indie rock to fill up our quota. “Getting Even”, the first track from their upcoming third album “Big TV”, introduces the addition of synths, which make it sound not a mile away from The Killers’ output. I find the “I can forgive/ And we can forget” bits irritatingly catchy too. Best of all, it’s a guilt-free download!
The proper lead single is called “There Goes Our Love Again”, and it’s not half bad either.
STREAM: White Lies – There Goes Our Love Again
Perfect summer indie pop alert!
The Proper Ornaments are my new favorite Soundcloud discovery. Their new single “Waiting For The Summer” is everything I wanted in a song with that title. The UK band lovingly crafts that timeless jangle-pop sound: dreamy, short and sweet, and more than ideal for a sunny day in the park. This was so good I immediately searched for all their past releases to listen. Apparently, one of the band members James Hoare is also in Veronica Falls, another favorite English indie band of mine, so I shouldn’t be surprised. Take my word for it, press play and enjoy.
STREAM: The Proper Ornaments – Waiting For The Summer
And here’s the equally lovely b-side “Candy”:
STREAM: The Proper Ornaments – Candy
Bonus points for the band name, which I presume to be an homage to a Free Design song of the same name.
“Waiting For The Summer” is out now on Lo Recordings. Their album is expected for a late summer release. In the meantime, grab a free download of a track from 2011, “Shining Bright”.
Way back in 2005, British duo The Boy Least Likely To released “Be Gentle With Me”, a perfect indie pop song with an adorable video featuring animal puppets playing instruments and a pre-Office Rashida Jones playing the manic pixie dream girl. 8 years later, for their third studio album “The Great Perhaps”, Owen & Pete Hobbs are still hopelessly twee, quietly chucking out little pop gems about the woes of love and growing up. New single “It Could’ve Been Me” is one of its (many) highlights. A duet with the ever-lovely Gwenno Saunders from The Pipettes, it finally got a suitably meet-cute music video which you can view right below. Just try not to grow anime eyes all over afterwards. You’ve been warned.
I love it when a song/artist came out of nowhere and elicited a strong response in me. The mysterious London-based Oscar Scheller only has 3 songs on his Soundcloud, but “Never Told You” is the one to check. By first listen, I was taken aback by how it all feels so instant and familiar, down to the rave piano chords. It took me right back to 2006, the height of my twee pop phase, during which there was a resurgence of these fey indie kids making catchy C86-inspired bedroom pop with Morrissey and Sarah Records as their blueprint. I still have fond memories of discovering that scene for the first time, and “Never Told You” sounds just like it came from that period, like it belongs on Labrador Records beside Suburban Kids With Biblical Names. Twee-pop has that nostalgic yet ageless quality. You can try to grow up, but the twee it stays, waiting for a nice sunny day to pop back in for a cup of tea. Lovely, lovely stuff.
STREAM: Oscar – Never Told You