The hype surround Cloud Nothings‘ second album “Here and Nowhere Else” was so big I had to check it out myself. While the album as a whole wasn’t entirely to my taste, I can’t deny this irresistible punk-pop gem “I’m Not Part of Me”. Let’s not beat around the bush, this belongs in a ’90s teen flick soundtrack. Proper jump on your bed, sing into your hairbrush, dance like nobody’s watching stuff. The music video even features teenage girls having a weird slumber party. They’re in on it.
It helps that the frontman Dylan Baldi openly talks about his appreciation for Taylor Swift’s songcraft. Check out the Ohio-based indie rock’s single below, and good luck getting it out of your head.
On paper, The Horrors are the kind of band I wouldn’t be bothered with, and yet I keep liking bits and bobs of their output. Plus Cat’s Eyes, Faris Badwan’s side-project with Rachel Zeffira, was far from terrible. With their fourth album “Luminous” arriving soon, it’s safe to say they have become reliable mainstays for panoramic post-punk shoegaze goodness. Their latest single “So Now You Know” is what I’d call one of their accidental pop songs, and I can confirm it sounds fantastic on a sunny day. Turn on the volume!
STREAM: The Horrors – So Now You Know
Watch the desert-based music video for the track here. New album drops May 5 on XL Recordings.
We might not’ve been exactly vocal about this in the past (apols) but we love Summer Camp, aka UK power duo of Elizabeth Sankey and Jeremy Warmsley. They wrote some very listenable pop tunes.
Now that they’re back for another round with album no. 2, the band has stepped their game up. Current single “Fresh” is what you get when you put the following ingredients in a blender and press “Mix”: Disney string samples, Beach Boys ghost harmonies, funky disco bassline, ’90s Britpop, Tumblr irony, and of course, ’80s John Hughes teen angst. A delicious smoothie, you’d agree.
The charming and colorful music video directed by Lucy Needs is one of those performance videos where the artist has to learn to lip sync to their song backwards. Watch as Elizabeth reiterate Jarvis Cocker’s question “Do you remember the first time?” (can you spot the other Pulp reference?).
White Lies are back with a brand new beat! Nah jk they’re still the same old demure chaps. In fact, the frontman’s sporting a new beard so they’re probably even more serious about their craft this time around etc.
Jokes aside, as far as stadium rock bands go, they’ve had a pretty strong listenable single run, and now that Muse are inching further towards self-parody territory, we need new bleak-but-catchy British indie rock to fill up our quota. “Getting Even”, the first track from their upcoming third album “Big TV”, introduces the addition of synths, which make it sound not a mile away from The Killers’ output. I find the “I can forgive/ And we can forget” bits irritatingly catchy too. Best of all, it’s a guilt-free download!
The proper lead single is called “There Goes Our Love Again”, and it’s not half bad either.
STREAM: White Lies – There Goes Our Love Again
Perfect summer indie pop alert!
The Proper Ornaments are my new favorite Soundcloud discovery. Their new single “Waiting For The Summer” is everything I wanted in a song with that title. The UK band lovingly crafts that timeless jangle-pop sound: dreamy, short and sweet, and more than ideal for a sunny day in the park. This was so good I immediately searched for all their past releases to listen. Apparently, one of the band members James Hoare is also in Veronica Falls, another favorite English indie band of mine, so I shouldn’t be surprised. Take my word for it, press play and enjoy.
STREAM: The Proper Ornaments – Waiting For The Summer
And here’s the equally lovely b-side “Candy”:
STREAM: The Proper Ornaments – Candy
Bonus points for the band name, which I presume to be an homage to a Free Design song of the same name.
“Waiting For The Summer” is out now on Lo Recordings. Their album is expected for a late summer release. In the meantime, grab a free download of a track from 2011, “Shining Bright”.
I don’t know much indie-rock duo Foxygen, but I’m glad I didn’t let their questionable band name put me off. “San Francisco”, from their awesomely-titled album “We Are the 21st Century Ambassadors of Peace & Magic”, is a sweet throwback to ’70s AM rock, and also doubles as an out-of-context unofficial West Coast anthem. With its off-kilter, bookish charm, “San Francisco” sits comfortably somewhere between a Wes Anderson soundtrack and a pitched theme song for a non-existent The OC reboot. Its ’70s easy-going sunny vibe is certainly a pleasant distraction from the dreary East Coast weather lately. I haven’t checked out the album yet, but I do hope there’s a dozen more of these.
STREAM: Foxygen – San Francisco
I love me some ’60s-loving duo side projects. I can name a handful off the top of my head: The Last Shadow Puppets, Cat’s Eyes, Scarlett Johansson & Pete Yorn, Matthew Sweet & Susanna Hoffs, James Levy & The Blood Red Rose. Now Adam Green (The Moldy Peaches) and Binki Shapiro (Little Joy), are the latest to channel the Nancy/Lee dynamic with a self-tiled LP out January 29. The opening track “Here I Am” is a playful and sweet love song, with the tried-and-true deep-voiced-male/honey-voiced-female combination that guarantees an immediate spot on your local Starbucks playlist. Expect more loveliness like this when the album drops. Enjoy it while you can, since these kinds of projects hardly last beyond one album.
STREAM: Adam Green & Binki Shapiro – Collage (James Gang Cover)
Spector have gone ‘EDM’! In a somewhat unexpected move, the band got Benny Benassi to remix their fantastic single “Never Fade Away”, and the result is quite massive. It’s proper hands-in-the-air rave o’clock, with those post-chorus rave-off-your-tits bits so popular with the kids nowadays. I think this could easily pull a “Spectrum via Calvin Harris” with decent airplay.
STREAM: Spector – Never Fade Away (Benny Benassi Remix Radio Edit)
But no worries, they got your ‘IDM’ bases covered too, by enlisting Wolfgang Voigt, co-founder of cool German techno label Kompakt, to give his own sprawling synth-laden take on the track. It’s safe to say Voigt certainly has the motorways in mind. Or shall we say autobahns?
STREAM: Spector – Never Fade Away (Wolfgang Voigt Remix)
Spector’s excellent debut album “Enjoy While It Lasts” is out this week in UK, and if you enjoy anthemic indie rock of the early noughties’ kind, check it out.
I won’t object to a nice Twin Peaks and NZ indie-rock band She’s So Rad did just the trick with their cover of the David Lynch/Angelo Badalamenti kitschy dream-pop tune “Rockin’ Back Inside My Heart”, balancing fuzzy guitars with candy-coated vocals in the same spirit of Julee Cruise. If you like The Raveonettes, then you oughta like She’s So Rad.
It also reminds me of another Twin Peaks fuzz-pop makeover of the theme song “Falling” by Girls Names, released back in 2010.
My new favorite British guitar-pop band Spector stopped by Zane Lowe’s show on Radio 1 yesterday for a chat and a two-song live session, one of which is a performance of their anthemic new single “Celestine”, and the other is a surprise cover of Kavinsky’s “Nightcall”. The original recently rose to prominence thanks to its inclusion on the infamous “Drive” soundtrack, which seemed to open the gate for a new craze for late-night-driving 80s-synthpop. Spector’s take is actually quite faithful and solid, with the addition of a guitar solo (for they are a guitar band)! I find it funny how the rest of the band sang background vocals in falsetto to make up for the lack of Lovefoxxx. What I like about the band is that they have a sense of humour, and not just all Joy Division doom and gloom. Check out their cover right below.
STREAM: Spector – Nightcall (Kavinsky Cover)
You can watch their performance of Celestine here, featuring a cameo from Fred’s untimely zits.
The desert-themed video for “Celestine” is also out on Youtube now. Is it only me or is that an S Club 7 reference in the video? And maybe a Madonna’s “Frozen” homage too. They certainly (presumely) know their late ’90s pop!
Radio 1’s certainly been pimping them a lot lately.
Now how about some album news, lads.