From the Soundcloud vaults of Arbutus Records (Grimes’ label) comes this lovely little gem, a lo-fi acapella cover of The Beatles classic “And I Love Her” by Eola aka Brooklyn-based musician Edwin Mathis White. Surfaced in October 2012, it’s just a simple take drenched in reverb and tape loops, but it’s the naked simplicity that emits a sort of moonshine hypnotism. He even made the effort to riff on the “Meet The Beatles!” cover!
STREAM: Eola – And I Love Her (Beatles Cover)
Nina Persson‘s debut solo album “Animal Heart” has been a Pop Labyrinth favorite since its release in February. Now that the sun is out, it feels like the right time to revisit the soaring title track. “Animal Heart” sees The Cardigans/A Camp frontwoman at her ’80s synth-pop new wave mode, and rest assured, it’s a fantastic song injected with wildlife metaphors, heartfelt melodies, and of course, her unmistakable voice. The one-shot music video filmed at her Harlem neighborhood features back-up dancers, confetti, and costume changes, all in one quick walk to grab some milk! It looks like great fun without appearing too rehearsed. And her belting at the last chorus – she’s still got me after all these years.
WATCH: Nina Persson – Animal Heart
Nina Persson is playing a show at Baby’s All Right in Brooklyn this Wednesday, 4/16, for which you can buy tickets here.
One year has passed since I raved about Oscar’s “Never Told You”, and the London-based bedroom pop artist is back with another perfect pop song. “Sometimes” is instant love at first play, generous with riff-laden hooks and the scruffy charm of the lo-fi indie pop ethos. Wearing its Blur-isms on its sleeves, the track harks back to the golden days of early-’90s Britpop. Oscar Scheller certainly has a way with catchy melodies, and he doesn’t hold them back. On a sunny spring day, I ask for nothing more. Irresistible.
STREAM: Oscar – Sometimes
Oscar is now signed to Smalltown Supersound’s new sub-label Brown Rice, and his debut EP “146b” drops next month.
The Pierce sisters have returned with not one, but two brand new songs! I was a big fan of the singles from their last album “You & I”, so new Pierces music now requires mandatory coverage. “Kings” is the catchy stomper with sweet harmonies, sweeter hooks and a Carole King reference, while lead single “Believe In Me” is the MOR midtempo ballad for Radio 2 listeners to slow dance to. Both tracks are a taster of their upcoming fifth album “Creation”, out June 2 in the UK. If the album maintains this level of quality, then it’s safe to say it should be quite a pleasant listen.
W▲TCH: The Pierces – Kings
One thing I’m not so sure about is the visual aesthetics this era. On one hand it’s nice that they’re leaving behind the ’70s boho look which has become a bit lazy, on the other hand, judging by the ironically ‘lo-fi’ videos, it now looks like they’ve been spending time at dated mall photo booths.
W▲TCH: The Pierces – Believe In Me
Norwegian singer/songwriter Ane Brun managed to bring out the subtleties in Beyoncé‘s gargantuan ballad “Halo”. Her chamber-folk rendition is a pared-down, understated acoustic affair with Swedish cellist Linnea Olsson on strings duty. It’s a nice break from the drum-heavy bombast of Ryan Tedder’s original production.
You can find “Halo” on her latest double album “Rarities”, collecting her rare tracks from over the years.
Lately the music scene has witnessed the inevitable antithesis to EDM. A small wave of new acts makes music that is more likely to gently stroke a listener’s chin, rather than shout at one’s face threatening to ‘drop’. London Grammar are UK’s brightest new hope. Already scoring a #2 album across the pond, the band is making their way to America. A mix between The XX, Florence & The Machine and Sia, London Grammar’s sound is really as stately and deceptively modest as the name suggests. At times they also remind me of Trespassers William too.
I first got hooked on early single “Metal & Dust”, a gorgeous trip-hop throwback that knows when to hold and release. Follow-up single “Wasting My Young Years” is one of those ballads that might send a lump down your throat in an appropriate mood. It might actually rival the grandeur of Sia’s “Breathe Me”, and I don’t say that lightly. However, “Strong” is the one with mass appeal, landing them their first Top 20 single in Britain. The old-school drum-and-bass High Contrast remix confirms that they sound just as good over block rockin’ beats.
As nice as the electronic embellishment around their production is, it’s Hannah Reid’s powerhouse vocals that took center in every song. Her guest vocals on Disclosure’s “Help Me Lose My Mind” is a thing of sunset-in-Ibiza beauty. For such a new band, they’re really building up a solid discography.
STREAM: London Grammar – Metal & Dust
Check out their US tour dates after the jump.
Moving away from the lush, dreamy soundscapes of her second album, Oh Land returns with something a little more adventurous. For her third full-length entitled “Wish Bone”, the Danish songstress works with producer Dave Sitek (TV On The Radio). Her relocation to Brooklyn really shows in the new batch of songs. Lead single “Renaissance Girls” is a fun celebration of female empowerment in the form of an infectious synth-pop tune. The girl-power sentiment is cool in a post-Lilith-Fair way, and the immaculately choreographed music video is AMAZING. She really put her ballet dancer skills to good use!
There’s also a lovely new video for the quirky “Pyromaniac”. She’s really nailing it down on the visual side this era. Her hair alone is divine, I can’t tell what exact shade it is (light blue greyish blond?), but she rocks it.
You can now stream the entire album on New York Times. FYI, the track co-written with former tourmate Sia is “Green Card”.
My favorite Norwegian Erlend Øye has returned with his first solo outing in 12 years. It’s a single called “La Prima Estate”, it’s in Italian, and it’s amazing in the most unexpected ways. Let me count the ways of its amazingness:
- THAT ARTWORK. Loud is the new quiet!
- How amazingly random it is. Apparently, the one half of Kings of Convenience is now living in Italy, and the song is his homage to ’70s Italo easy-listening folk-pop, popular in Norway at the time. He did his research, and it showed. It’s a totally unexpected re-introduction, but for a man whose past repertoire ranges from acoustic folk to Berlin indie techno, I shouldn’t be so surprised.
- Even though I don’t understand a word, it still sounds like the giddiest piece of jet-set-ready summer music. Jens Lekman would be proud.
- THE VIDEO, shot on location in Siracusa Sicily. Who are all these twee geeks dancing like fools, bursting with unadulterated joy? Prepare to grin like an idiot.
As a bonus, here’s a video of Erlend Øye casually performing a cover of Pet Shop Boys‘ 1996 single “Se a vida é (That’s the Way Life Is)” on an abandoned rooftop. So chill.
We might not’ve been exactly vocal about this in the past (apols) but we love Summer Camp, aka UK power duo of Elizabeth Sankey and Jeremy Warmsley. They wrote some very listenable pop tunes.
Now that they’re back for another round with album no. 2, the band has stepped their game up. Current single “Fresh” is what you get when you put the following ingredients in a blender and press “Mix”: Disney string samples, Beach Boys ghost harmonies, funky disco bassline, ’90s Britpop, Tumblr irony, and of course, ’80s John Hughes teen angst. A delicious smoothie, you’d agree.
The charming and colorful music video directed by Lucy Needs is one of those performance videos where the artist has to learn to lip sync to their song backwards. Watch as Elizabeth reiterate Jarvis Cocker’s question “Do you remember the first time?” (can you spot the other Pulp reference?).
Postiljonen is the next big Swedish export, and they have delivered a stunning debut album in “Skyer”. I can only describe the Stockholm-based trio’s music as panoramic, multi-textured road-trip synth-pop. The ’80s synth and sax riffs are larger than life, while wispy, murmuring vocals are mixed like an afterdream, hazy and unobtrusive, interspersed with dialogue samples from unidentified, possibly non-existent films. As is the case with shoegazing dream-pop, due of its unique construct, you probably won’t remember much of the lyrics or melodies, but there’s enough ear candy to keep coming back and peel at the layers. The 10-track album is short and sweet, with the more upbeat numbers (Supreme, We Raise Our Hearts, Skying High) sequenced in between ambient, filmic ones (Rivers, Plastic Panorama). There is also an unlikely, spectral cover take on Whitney Houston’s “How Will I Know”, gloomily retitled as “All That We Had Is Lost”. “Atlantis” – the current single – makes a perfect album closer, thanks to its monster saxophone action and a nocturnal, melancholic back-of-a-taxi-cab mood. If you like M83, or The Naked And Famous, then Postiljonen’s widescreen after-hours pop is for you.
Check out the music video for Atlantis below, and album highlight “We Raise Our Hearts”.
STREAM: Postiljonen – We Raise Our Hearts